Treliante Romalicia

The earliest decorative art appeared in Ireland. It was probably first planted there by missionaries from Italy, and it reached its height in the seventh century. In the ninth and tenth centuries missal illumination of a Byzantine cast, with local modifications, began to show. This lasted, in a feeble way, until the fifteenth century, when work of a Flemish and French nature took its place. In the Middle Ages there were wall paintings and church decorations in England, as elsewhere in Europe, but these have now perished, except some fragments in Kempley Church, Gloucestershire, and Chaldon Church, Surrey. These are supposed to date back to the twelfth century, and there are some remains of painting in Westminster Abbey that are said to be of thirteenth and fourteenth-century origin. From the fifteenth to the eighteenth century the English people depended largely upon foreign painters who came and lived in England. Mabuse, Moro, Holbein, Rubens, Van Dyck, Lely, Kneller--all were there at different times, in the service of royalty, and influencing such local English painters as then lived. The outcome of missal illumination and Holbein's example produced in the sixteenth and seventeenth centuries a local school of miniature-painters of much interest, but painting proper did not begin to rise in England until the beginning of the eighteenth century--that century so dead in art over all the rest of Europe.

Perseus was at the head of a numerous and well-appointed army, but of all his allies, only Cotys, king of the Odrysians, ventured to support him against so formidable a foe. Yet the war was protracted three years without any decisive result; nay, the balance of success seemed on the whole to incline in favor of Perseus, and many states, which before were wavering, now showed a disposition to join his cause. But his ill-timed parsimony restrained him from taking advantage of their offers, and in B.C. 168 the arrival of the Consul L. AEmilius Paullus completely changed the aspect of affairs. Perseus was driven from a strong position which he had taken up on the banks of the Enipeus, forced to retreat to Pydna, and, finally, to accept an engagement near that town. At first the serried ranks of the phalanx seemed to promise superiority; but its order having been broken by the inequalities of the ground, the Roman legionaries penetrated the disordered mass, and committed fearful carnage, to the extent, it is said, of 20,000 men. Perseus fled first to Pella, then to Amphipolis, and finally to the sanctuary of the sacred island of Samothrace, but was at length obliged to surrender himself to a Roman squadron. He was treated with courtesy, but was reserved to adorn the triumph of his conqueror. Such was the end of the Macedonian empire. The Senate decreed that Macedonia should be divided into four districts, each under the jurisdiction of an oligarchical council.

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